3. Commune with communal living
St. Pauli is home to the Jägerpassage, a courtyard off Wohlwillstrasse where John Lennon had the photo taken for his Rock ‘n’ Roll album. With toys and other domestic paraphernalia lying around, it’s as if the courtyard’s flats have been turned inside out: you’re looking at an example of Hamburg’s particularly bohemian way with communal living. Called “Wohnprojekt”, these buildings were squatted in the 1980s and eventually allocated to the squatters by the city.
While the Jägerpassage is essentially residential, another of Hamburg’s squatting hubs, the Gängeviertel, welcomes visitors for tours. It’s reminiscent of what the Chinese call a “nail house”– homes whose residents refuse to bow to development, so that a motorway or mall or some other imposing development has to be built around it.
In this case, the squatting artists moved in when development stalled because of the financial crash. What they’ve produced is a pleasing visual mess of bunting and shrubbery, bicycles and ragged art, mannequin limbs sticking out of walls, graffiti and grubbiness, smack bang in the city centre. The counterculturalists use innovative ways to duck and dive bureaucracy – and the developers – not least by presenting everything to do with the site as art (the bar, for example, was termed a “Contemporary Drinks Museum”).
4. Scratch your flea market itch
The Schanzenviertel – known as the Schanze – lies just to the north of St. Pauli. Here, on Schulterblatt, you’ll find the Rote Flora site, the most resonant symbol of Hamburg’s countercultural, leftist-anarchist identity.
Originally a theatre, Rote Flora was subsequently a cinema and department store before squatters occupied it in the late 1980s. Any attempt to change this state of affairs is met with heated opposition. You can get chatting to some of the Schanze’s alternatives by visiting the popular Saturday-morning flea market.