The “naïve” painter Theophilos Hadzimihaïl (1873–1934) was born and died in Mytilíni Town, and both his eccentricities and talents were remarkable from an early age. After wandering across the country from Pílio to Athens and the Peloponnese, Theophilos became one of belle époque Greece’s prize eccentrics, dressing up as Alexander the Great or various revolutionary war heroes, complete with pom-pommed shoes and pleated skirt. Theophilos was ill and living as a recluse in severely reduced circumstances back on Lésvos when he was introduced to Thériade in 1919; the latter, virtually alone among critics of the time, recognized his peculiar genius and ensured that Theophilos was supported both morally and materially for the rest of his life.

With their childlike perspective, vivid colour scheme and idealized mythical and rural subjects, Theophilos’s works are unmistakeable. Relatively few of his works survive today, because he executed commissions for a pittance on ephemeral surfaces such as kafenío counters, horsecarts, or the walls of long-vanished houses. Facile comparisons are often made between Theophilos and Henri Rousseau, the roughly contemporaneous French “primitive” painter. Unlike “Le Douanier”, however, Theophilos followed no other profession, eking out a precarious living from his art alone. And while Rousseau revelled in exoticism, Theophilos’s work was principally and profoundly rooted in Greek mythology, history and daily life.

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