A jaunt up DOI SUTHEP, the mountain which rises steeply at the city’s western edge, is the most satisfying brief trip you can make from Chiang Mai, chiefly on account of beautiful Wat Phra That Doi Suthep, which dominates the hillside and gives a towering view over the goings-on in town. This is the north’s holiest shrine, its pre-eminence deriving from a magic relic enshrined in its chedi and the miraculous legend of its founding. The original chedi was built by King Ku Na at the end of the fourteenth century, after the glowing relic of Wat Suan Dork had self-multiplied just before being enshrined. A place had to be found for the clone, so Ku Na put it in a travelling shrine on the back of a white elephant and waited to see where the sacred animal would lead: it eventually climbed Doi Suthep, trumpeted three times, turned round three times, knelt down and died, thereby indicating that this was the spot. Ever since, it’s been northern Thailand’s most important place of pilgrimage, especially for the candlelit processions on Makha Puja, the anniversary of the sermon to the disciples, and Visakha Puja, the anniversary of the Buddha’s birth, enlightenment and death, when thousands of people walk up to the temple through the night from Chiang Mai.

Wat Phra That Doi Suthep

Opposite a car park and souvenir village, a flight of three hundred naga-flanked steps – or the adjacent cable car – is the last leg on the way to Wat Phra That Doi Suthep. From the temple’s lower terrace, the magnificent views of Chiang Mai and the surrounding plain, 300m below, are best in the early morning or late afternoon in the cool season, though peaceful contemplation of the view is frequently shattered by people sounding the heavy, dissonant bells around the terrace – they’re supposed to bring good luck. At the northwestern corner is a 2m-high statue of the elephant which, so the story goes, expired on this spot.

Before going to the upper terrace you have to remove your shoes – and if you’re showing a bit of knee or shoulder, the temple provides wraps to cover your impoliteness. This terrace is possibly the most harmonious piece of temple architecture in Thailand, a dazzling combination of red, green and gold in the textures of carved wood, filigree and gleaming metal – even the tinkling of the miniature bells and the rattling of fortune sticks seem to keep the rhythm. A cloister, decorated with gaudy murals, tightly encloses the terrace, leaving room only for a couple of small minor viharns and the altars and ceremonial gold umbrellas which surround the central focus of attention, the chedi. This dazzling gold-plated beacon, a sixteenth-century extension of Ku Na’s original, was modelled on the chedi at Wat Phra That Haripunjaya in Lamphun – which previously had been the region’s most significant shrine – and has now become a venerated emblem of northern Thailand.

A small hong, or swan, on a wire stretching to the pinnacle is used to bless the chedi during major Buddhist festivals: a cup in the swan’s beak is filled with water, and a pulley draws the swan to the spire where the water is tipped out over the sides of the chedi. Look out also for an old photograph opposite the northeastern corner of the chedi, showing a cockerel which used to peck the feet of visitors who entered with their shoes on.

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