The rolling hills and rich soil of Ayrshire are not really at the top of most visitors’ Scottish itinerary. Ayr, the county town and birthplace of Robert Burns, won’t distract you for long. Most folk stick to the coastline, attracted by the wide, flat sandy beaches and the vast number of golf courses. South of Ayr, the most obvious points of interest are Culzean Castle, with its Robert Adam interior and extensive wooded grounds, and the offshore islands of Ailsa Craig, while to the east is fascinating Dumfries House. North of Ayr is Irvine, home to the Scottish Maritime Museum.

Ailsa Craig

If the weather’s half decent, it’s impossible to miss Ailsa Craig, ten miles off the south Ayrshire coast in the middle of the Firth of Clyde. The island’s name means “Fairy Rock” in Gaelic, though it actually looks more like an enormous muffin. It would certainly have been less than enchanting for the persecuted Catholics who escaped here during the Reformation. The island’s granite has long been used for making curling stones, and in the late nineteenth century 29 people lived here, either working in the quarry or at the Stevenson lighthouse. With its volcanic, columnar cliffs and 1114ft summit, Ailsa Craig is now a bird sanctuary – home to some 40,000 gannets. The best time to make the trip is at the end of May and in June when the fledglings are learning to fly. Several companies in the town of GIRVAN offer cruises round the island, but only Mark McCrindle, who also organizes sea-angling trips, is licensed to land. It takes about an hour to reach the island. Timings and prices depend on the length of trip, tides and weather; booking ahead is essential.

Robert Burns

The eldest of seven, Robert Burns was born in Alloway on January 25, 1759. His tenant farmer father’s bankruptcy had a profound effect on the boy, leaving him with an antipathy towards authority. After the death of his father, Robert, now head of the family, moved them to a farm at Mossgiel where he began to write in earnest: his first volume, Poems Chiefly in the Scottish Dialect, was published in 1786. The book proved immensely popular with ordinary Scots and Edinburgh literati alike, with Holy Willie’s Prayer attracting particular attention. The object of Burns’ poetic scorn was the kirk, whose ministers had condemned him for fornication.

Burns spent the winter of 1786–87 in the capital, but despite his success he felt financially trapped, unable to leave farming. His radical views also landed him in a political snare, his recourse being to play the unlettered ploughman-poet who might be excused impetuous outbursts and hectic womanizing. He made useful contacts in Edinburgh, however, and was recruited to write songs set to traditional Scottish tunes: works including Auld Lang Syne and Green Grow the Rushes, O. At this time, too, he produced Tam o’ Shanter and a republican tract, A Man’s a Man for a’ That.

Burns fathered several illegitimate children, but in 1788 married Jean Armour, a stonemason’s daughter with whom he already had two children, and moved to Ellisland Farm, near Dumfries. The following year he was appointed excise officer and could leave farming. But his years of labour, allied to a rheumatic fever, damaged his heart, and he died in Dumfries in 1796, aged 37.

Burns’s work, inspired by romantic nationalism and tinged with wry wit, has made him a potent symbol of “Scottishness”. Today, Burns Clubs all over the world mark the poet’s birthday with the Burns’ Supper, complete with haggis, piper and whisky – and a ritual recital of Ode to a Haggis.

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updated 30.05.2021

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