Gedenkstätte Sachsenhausen
The former concentration camp of Sachsenhausen on the fringes of the small town of Oranienburg, 35km north of Berlin, has been preserved as the unremittingly miserable Gedenkstätte Sachsenhausen (Sachsenhausen Memorial) as a reminder of the crimes of two of the last century’s most powerful and terrible regimes. This early Nazi camp was a prototype upon which others were based. It was never designed for large-scale mass extermination, but all the same around half of the 220,000 prisoners who passed through its gates never left, and at the end of the war the camp was used to systematically kill thousands of Soviet POWs and Jewish prisoners on death marches. After the war the Soviets used the infrastructure for similar purposes.
The camp
At the entrance to the camp, its largest structure, the impossibly detailed New Museum, charts the camp’s origins from defunct brewery to a Nazi political prison; the local Nazis filled it with many of their classmates, colleagues and neighbours.
The camp proper begins under the main watchtower and beyond a gate adorned with the ominous sign Arbeit macht frei (“Work frees”) and within the perimeter walls and former high-voltage fence – site of frequent inmate suicides. Within the camp many parts have been chillingly well preserved or reconstructed: a number of prison blocks which now house a museum telling the stories of selected inmates; the camp prison, from which internees seldom returned; the former kitchen and laundry where harrowing films show the camp on liberation. Just outside the perimeter lie pits where summary executions took place and bodies were incinerated.
Finally, at the northern tip of the camp, an exhibition in a guard tower investigates what the local populace knew and thought of the place, via video interviews, while the jumbled hall next door examines the postwar Soviet Special Camp (1945–50), when the Russians imprisoned 60,000 people with suspected Nazi links – though most were innocent – of whom at least 12,000 died.
Rheinsberg
Some 50km northwest of Berlin, venerable tree-lined avenues home in on the rolling forests that cradle lakes on Brandenburg’s border with Mecklenburg-Western Pomerania – where this landscape is protected as Müritz National Park. But just south, on the languid shores of Grienericksee, lies the pretty little town of Rheinsberg, where Frederick the Great claimed to have spent his happiest years as a young crown prince living in a modest Schloss, studying for the throne and giving occasional concerts.
Rheinsberg’s tiny centre is worth a quick exploration, and though there are few real landmarks, it features genteel, leafy, cobbled streets and several pottery workshops on the south side of town, which carry on centuries-old local traditions. Digs south of the Schloss have traced the origins of the local industry to the early thirteenth century, and Rheinsberg continues to be known for ceramics and faïence (tin-glazed pottery), though today’s most popular pieces are sturdy rustic ones with cream and dark blue glazes.
Schorfheide-Chorin Biosphere Reserve and Unteres Odertal Nationalpark
Large tracts of heathland increasingly assert themselves as you travel northeast from Berlin and into a region known as the Schorfheide. Its gentle charms may fail to draw the crowds, but as a UNESCO Biosphere Reserve it’s certainly ecologically important and within it a couple of sights are worth a detour, particularly the romantic Gothic ruins of Kloster Chorin, a monastery 61km from Berlin, and an impressive industrial monument in the form of a giant 1930s barge hoist at Niederfinow. Then, on Schorfheide’s northeastern edge and hard on the Polish border, the Unteres Odertal Nationalpark offers great birdwatching and peaceful, traffic-free cycling.
The Märkische Schweiz
Rolling hills, crisp, clean air, trickling streams and languid lakes: the Märkische Schweiz has long been a popular middle-class getaway from Berlin’s hubbub. Predictably, Theodor Fontane heaped praise on the region – though he conceded that the Switzerland epithet was a hyperbole too far – and Bertolt Brecht and Helena Weigel, too, voted with their feet, spending several of their last summers together in a pleasant lakeside cottage in the delightful little spa town of Buckow.
Theodor Fontane and his Brandenburg wanderings
Widely regarded as Germany’s most important nineteenth-century Realist writer, Huguenot novelist and poet Theodor Fontane (1819–98) pioneered the German social novel, most famously writing Effi Briest (1894), which became a film by Rainer Werner Fassbinder in 1974. Fontane’s work offered insights into the lives of people across different social classes in an original style later dubbed Poetic Realism and often compared to Thomas Hardy. But he’s far less well known for his contribution to travel writing, which was well ahead of its time for its fusion of literary style, historical insight and narrative adventure. It also challenged the notion that exploring the exotic reaps the greatest rewards, suggesting instead that with the right approach your immediate surroundings can prove as bountiful. This notion came to him during a stint in Britain, which, as an Anglophile in the service of the Prussian intelligence agency, he knew well. While rowing on a Scottish loch it occurred to him that corners of his native Prussia were every bit as beautiful – he came from near Rheinsberg – yet uncelebrated and generally considered among Germany’s least appealing regions.
So between 1862 and 1889 he set out to champion his homeland, compiling the five-tome Wanderungen durch die Mark Brandenburg (Wanderings through the Mark of Brandenburg), based on his whimsical walks around the state: “I travelled through the Mark and found it richer than I dared to hope. The earth beneath every footfall was alive and produced ghosts … wherever the eye rested, everything bore a broad historic stamp.” His project would marry Prussian national identity with Romanticism in ways that often mirrored the writings of Sir Walter Scott, whose style was in vogue at the time.
Fontane’s wanderings are certainly worth dipping into, despite their off-putting length – at least they didn’t end up as the twenty tomes he once planned – and as you travel around the region you’ll certainly find enough quotes from his work on tourist office literature. Last respects can be paid at Fontane’s grave in Berlin’s Französischer Friedhof.