The people who today call themselves VhaVenda are descended from a number of ancient groupings who migrated from the Great Lakes area in east-central Africa in the eleventh and twelfth centuries. Their identity gelled when a group under Chief Dimbanyika arrived at Dzata in the northern Soutpansberg, where a walled fort was later built. From here, they consolidated their power in the region, fending off attack from a number of different African groupings (including the Voortrekkers, whom they drove from their settlement at Schoemansdal in 1867). Although the VhaVenda suffered a reverse at the hands of the Boers in 1898, the onset of the Anglo-Boer War prevented that victory being consolidated.
The culture of the VhaVenda is a fascinating one, steeped in mysticism and vivid legend. One pervading theme is water – always an important concern in hot, seasonal climates, but a resource in which Venda is unusually abundant. Lakes, rivers, waterfalls and lush forests all form sacred sites, while legends abound of zwidutwane, or water sprites, and snakes who live at the bottom of dark pools or lakes.
Many VhaVenda ceremonies and rituals still hold great importance, with the most famous being the python, or domba, dance performed by young female initiates. Naked but for jewellery and a small piece of cloth around their waists, the teenage girls form a long chain, swaying and shuffling as the “snake” winds around a fire to the sound of a beating drum – another sacred object in Venda – often for hours on end. Your chances of seeing it performed are limited. The genuine thing is most common during spring; Heritage Day around the end of August or the beginning of September is a good time for celebrations.