Born in Amsterdam, Cornelius Krieghoff trained as an artist in Düsseldorf before emigrating to New York, where, at the age of just 21, he joined the US Army, serving in the Second Seminole War in Florida. Discharged in 1840, Krieghoff immediately re-enlisted, claimed three months’ advance pay and deserted, hot-footing it to Montréal with the French-Canadian woman he had met and married in New York. In Montréal, he picked up his brushes again, but without any commercial success – quite simply no one wanted to buy his paintings. That might have been the end of the matter, but Krieghoff moved to Québec City in 1852 and here he found a ready market for his paintings among the well-heeled officers of the British garrison, who liked his folksy renditions of Québec rural life. This was the start of Krieghoff’s most productive period and over the next eight years he churned out dozens of souvenir pictures – finely detailed, anecdotal scenes that are his best work. In the early 1860s, however – and for reasons that remain obscure – he temporarily packed in painting, returning to Europe for five years before another stint in Québec City, though this time, with the officer corps gone, he failed to sell his work. In 1871, he went to live with his daughter in Chicago and died there the following year, a defeated man.