In 1908, at the age of 2, Puyi ascended to the imperial throne in Beijing, at the behest of the dying Dowager Cixi. Although forced to abdicate four years later by the Republican government, he retained his royal privileges, continuing to reside as a living anachronism in the Forbidden City. Outside, the new republic was coming to terms with democracy and the twentieth century, and Puyi’s life, circumscribed by court ritual, seems a fantasy in comparison. In 1924, he was expelled by Nationalists uneasy at what he represented, but the Japanese eventually found a use for him in Changchun as lending a symbolic legitimacy to their rule. After the war, he was re-educated by the Communists and lived the last years of his life as a gardener. His story was the subject of Bernardo Bertolucci’s lavish film The Last Emperor.

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