Zinacantan, Mexico
“Spiritual leaders can be either men or women, but they have to be married. They rent a room for the shrine, and pay for everything associated with its worship.”
Rather prosaically, the spiritual leader is out shopping when we visit, but his wife and a cluster of children show us the ceremonial room. The centrepiece is a small shrine surrounded by an array of candles that must be lit numerous times a day and huge drapes of leaves and flowers that are changed several times a year.
A bottle of cinnamon-flavoured posh, a sugar-cane alcohol used in religious ceremonies, is passed round; it tastes something like a rough grappa.
As we drink two teenage boys launch fireworks – another key feature of religious ceremonies in Chamula – perilously into the air straight from their hands; they boom without warning throughout our visit, making an otherwise peaceful village feel a little like a war zone.
"Two teenage boys launch fireworks perilously into the air straight from their hands"
Chamula and the surrounding indigenous communities are essentially self-governing, César explains, as we walk into the bustling central plaza. Civic elections had recently been held, during which local men gathered in the square to vote (women are not allowed to participate) – a process that involves raising hands, cheering, booing, and, frequently, throwing stones. Several nearby buildings still have broken windows.
The community also has its own schools, police force – officers wear heavy woollen tunics and carry large sticks – and prison. “There are two big cells, one for women and one for men, which are semi-open, to expose the criminals to public shame,” César explains. “When serious crimes are committed, lynching does also sometimes occur.” He pauses briefly. “But crime is very low here.”
"Whatever your religious beliefs, it is a profoundly moving experience."
Dominating the square, physically and spiritually, is Chamula’s main church, the 200-year-old Iglesia de San Juan Bautista, its simple whitewashed exterior ornamented with turquoise detailing. On the surface it appears little different to other churches in the highlands of Chiapas, but as César leads us inside we enter another world, at once vaguely familiar and utterly alien.
There are no pews or altar and the stone floor is covered with a slippery carpet of pine needles. Locals of all ages, in family groups and on their own, kneel in prayer, facing statues of Catholic saints in wooden boxes lining the church walls. Some chant, others cry, a few sing quietly. Pungent incense fills the air. Glinting mirrors reflect evil spirits. Whatever your religious beliefs, it is a profoundly moving experience.