Known for its lavish balls and even more lavish cakes, Vienna is overflowing with art. If there’s one image that encapsulates the city, it’s of an elegant, gold-clad muse staring out at the viewer with an unsettling beauty.
No, not Conchita Wurst, but the women of Gustav Klimt’s paintings. A tour of his artworks not only takes you to Vienna’s finest galleries, but provides a window on the city at the turn of the twentieth century.
In 1897, a group of artists frustrated with the constraints of Vienna’s cultural establishment formed “The Secession” movement. Klimt was their first president, and their headquarters was a bold statement of Jugendstil (youth style), a simple white building topped with a golden dome.
Displayed inside, Klimt’s Beethoven Frieze (1902) depicts the quest for happiness. Its parade of strange characters – including Death, Madness, Lasciviousness and Wantonness – are all obstacles to true joy, which is found, in the last panel, through art, poetry and music in the form of Beethoven’s Ninth Symphony.