Packed with vast belle époque piles, many of them former hotels, the northern suburb of Cimiez has always been posh. The heights of Cimiez were the social centre of the local elite some 1700 years ago, when the town was capital of the Roman province of Alpes-Maritimae. Part of a small amphitheatre still stands, and excavations of the Roman baths have revealed enough detail to distinguish the sumptuous and elaborate facilities for the top tax official and his cronies, the plainer public baths and a separate complex for women. All the finds, plus an illustration of the town’s history up to the Middle Ages, are displayed in the Musée d’Archéologie.

The seventeenth-century villa lying between the Roman excavations and the arena is the Musée Matisse. Matisse spent his winters in Nice from 1916 onwards, and then from 1921 to 1938 rented an apartment overlooking place Charles-Félix. It was here that he painted his most sensual, colour-flooded canvases of odalisques posed against exotic draperies. As well as the Mediterranean light, Matisse loved the cosmopolitan aspect of Nice and the presence of fellow artists Renoir, Bonnard and Picasso in neighbouring towns. He died in Cimiez in November 1954, aged 85.

The Roman remains and the Musée Matisse back onto an old olive grove, at the eastern end of which are the sixteenth-century buildings and exquisite gardens of the Monastère Notre-Dame de Cimiez. The oratory has brilliant murals illustrating alchemy, while the church houses three masterpieces of medieval painting by Louis and Antoine Bréa. On the north side of the monastery is the Cemetery of Cimiez; the simple tomb of Matisse is signposted on the left-hand side.

At the foot of Cimiez hill, just off boulevard Cimiez, Chagall’s Biblical Message is housed in a museum built specially for the work and opened by the artist in 1972. The rooms are light, white and cool, with windows allowing you to see the greenery of the garden beyond the indescribable shades between pink and red of the Song of Songs canvases. The seventeen paintings of the Biblical Message are all based on the Old Testament and complemented with etchings and engravings.

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