BRADFORD has always been a working town, booming in tandem with the Industrial Revolution, when just a few decades saw it transform from a rural seat of woollen manufacture to a polluted metropolis. In its Victorian heyday it was the world’s biggest producer of worsted cloth, its skyline etched black with mill chimneys, and its hills clogged with some of the foulest back-to-back houses of any northern city. A look at the Venetian-Gothic Wool Exchange building on Market Street, or a walk through Little Germany, northeast of the city centre (named for the German wool merchants who populated the area in the second half of the 1800s) provides ample evidence of the wealth of nineteenth-century Bradford.

Contemporary Bradford, perhaps the most multicultural centre in the UK outside London, is valiantly rinsing away its associations with urban decrepitude, and while it can hardly yet be compared with neighbouring Leeds as a visitor attraction, it has two must-see attractions in the National Media Museum and the industrial heritage site of Saltaire. The major annual event is the Bradford Mela, a one-day celebration of the arts, culture and food of the Indian subcontinent, held in June or July.

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