Although the full significance of the dance of the voladores has been lost over time, it has survived much as the earliest chroniclers reported it, largely because the Spanish thought of it as a sport rather than a pagan rite. It involves five men: a leader who provides acoustics on flute and drum, and four performers. They represent the five earthly directions – the four cardinal points and straight up, from earth to heaven. After a few preliminaries, the five climb to a small platform atop a pole, where the leader resumes playing and directs prayers for the fertility of the land in every direction. Meanwhile, the dancers tie ropes, coiled tightly around the top of the pole, to their waists and at a signal fling themselves head-first into space. As they spiral down in increasing circles the leader continues to play, and to spin, on his platform, until the four hit the ground (hopefully landing on their feet, having righted themselves at the last minute). In all, they make thirteen revolutions each, symbolizing the 52-year cycle of the Aztec calendar.

At Papantla (performances in front of the cathedral Fri, Sat & Sun 10.30am–7pm) and El Tajín (regular performances outside the entrance to the ruins starting at 11am), the ritual has become primarily a tourist spectacle, as the permanent metal poles attest. In local villages there is still more ceremony attached, particularly in the selection of a sufficiently tall tree to act as the pole, and its temporary erection in the place where the dance is to be performed. Note that performances are nominally free, though if you catch one of the regular shows in Papantla or El Tajín you’ll be expected to make a donation.

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