Discovered in 1922, the Grotte de Pech-Merle is less accessible than the caves at Les Eyzies, well hidden on the scrubby hillsides above Cabrerets. The cave itself is far more beautiful than those at Padirac or Les Eyzies, with galleries full of the most spectacular stalactites and stalagmites – structures tiered like wedding cakes, hanging like curtains, or shaped like discs or pearls.

The first drawings you come to are in the “Chapelle des Mammouths”, executed on a white calcite panel that looks as if it’s been specially prepared for the purpose. There are horses, bison – charging head down with tiny rumps and arched tails – and tusked, whiskery mammoths. Next comes a vast chamber where the glorious horse panel is visible on a lower level; it’s remarkable how the artist used the relief of the rock to do the work, producing an utterly convincing mammoth in just two black lines. The ceiling is covered with finger marks, preserved in the soft clay. You pass the skeleton of a cave hyena that has been lying there for 20,000 years – wild animals used these caves for shelter and sometimes, unable to find their way out, starved to death. And finally, the most spine-tingling experience at Pech-Merle: the footprints of an adolescent preserved in a muddy pool.

The admission price includes an excellent film and museum, where prehistory is illustrated by colourful and intelligible charts, a selection of objects (rather than the usual ten thousand flints), skulls, and beautiful slides displayed in wall panels.

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