Hanoi’s most revered temple complex, the Temple of Literature, or Van Mieu, is both Vietnam’s principal Confucian sanctuary and its historical centre of learning. The temple is also one of the few remnants of the Ly kings’ original city and retains a strong sense of harmony despite reconstruction and embellishment over the nine hundred years since its dedication in 1070.

Entry is through the two-tiered Van Mieu Gate. The temple’s ground plan, modelled on that of Confucius’s birthplace in Qufu, China, consists of a succession of five walled courtyards. The first two are havens of trim lawns and noble trees separated by a simple pavilion.

The third courtyard

Enter via the imposing Khue Van Cac, a double-roofed gateway built in 1805, its wooden upper storey ornamented with four radiating suns. Central to the third courtyard is the Well of Heavenly Clarity – a rectangular pond – to either side of which stand the temple’s most valuable relics, 82 stone stelae mounted on tortoises. Each stele records the results of a state examination held at the National Academy between 1442 and 1779, though the practice only started in 1484, and gives brief biographical details of successful candidates. It’s estimated that up to thirty stelae have gone missing or disintegrated over the years, but the two oldest, dating from 1442 and 1448, occupy centre spot on opposite sides of the pond.

The fourth courtyard

Passing through the Gate of Great Success brings you to the fourth courtyard and the main temple buildings. Two pavilions on either side once contained altars dedicated to the 72 disciples of Confucius, but now house administrative offices and souvenir shops. During Tet (Vietnamese New Year) this courtyard is the scene of calligraphy competitions and “human chess games”, with people instead of wooden pieces on the square paving stones.

The ceremonial hall
The hall, a long, low building whose sweeping tiled roof is crowned by two lithe dragons bracketing a full moon, stands on the courtyard’s north side. Here the king and his mandarins would make sacrifices before the altar of Confucius, accompanied by booming drums and bronze bells echoing among the magnificent ironwood pillars. Within the ceremonial hall lies the temple sanctuary, at one time prohibited even to the king, where a large and striking statue of Confucius sits with his four principal disciples, resplendent in vivid reds and golds. Between the altar and sanctuary is a Music Room, where musicians playing traditional instruments provide a great opportunity for photos.

The fifth courtyard

The fifth and final courtyard housed the National Academy, regarded as Vietnam’s first university, which was founded in 1076 to educate princes and high officials in Confucian doctrine. Later, the academy held triennial examinations to select the country’s senior mandarins, a practice that continued almost uninterrupted until 1802 when Emperor Gia Long moved the nation’s capital to Hué. In 1947 French bombs destroyed the academy buildings but they have now been painstakingly reconstructed, including an elegant two-storey pavilion housing a small museum and an altar dedicated to a noted director of the university in the fourteenth century, Chu Van An. Upstairs, three more statues honour King Ly Thanh Tong, the founder of Van Mieu; Ly Than Tong, who added the university; and Le Thanh Tong, instigator of the stelae. The exhibits are mostly post-eighteenth century, including 1920s photos of the temple, and students’ textbooks, ink-stones and other accoutrements, such as a wine gourd for the fashion-conscious nineteenth-century scholar. Recitals of traditional music are held in the side-pavilion according to demand.

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