Explore Buenos Aires
Described by Borges as “an older, more solid world”, the south is Buenos Aires’ most traditional quarter. Immediately south of the Plaza de Mayo lies the barrio of Monserrat, packed with historic buildings, churches and a couple of noteworthy museums. Heading south through Monserrat, you’ll emerge among the cobbled streets and alleyways of San Telmo, where grand nineteenth-century mansions testify to the days when the barrio was home to wealthy landowners. San Telmo is most commonly visited on a Sunday, when its central square, Plaza Dorrego, is the scene of a fascinating antiques fair, although there are plenty of antiques stores also open during the week. At the southern end of the barrio, there’s the tranquil Parque Lezama – a good spot for observing local life, and home to an important history museum. Beyond Parque Lezama, and stretching all the way to the city’s southern boundary, the Río Riachuelo, the quirky barrio of La Boca is a great place to spend a morning, wandering its colourful streets and soaking up its idiosyncratic atmosphere.
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San Telmo
San Telmo
It’s impossible not to be seduced by the romantically crumbling facades and cobbled streets of San Telmo, a neighbourhood that is proud of its reputation as the guardian of the city’s traditions. A small, almost square-shaped barrio, San Telmo is bounded to the north by Avenida Chile, six blocks south of Plaza de Mayo, to the west by Calle Piedras, to the east by Paseo Colón and to the south by Parque Lezama. Like neighbouring Monserrat, its main artery is Calle Defensa, once the road from the Plaza de Mayo to the city’s port.
The barrio’s appearance of decaying luxury is the result of a kind of reverse gentrification. When the city’s grand mansions were abandoned by their patrician owners after a yellow fever epidemic in 1871, they were soon converted into conventillos (tenements) by landlords keen to make a quick buck from newly arrived immigrants. This sudden loss of cachet preserved many of the barrio’s original features: whereas much of the north, centre and west of the city was variously torn down, smartened up or otherwise modernized, San Telmo’s inhabitants simply adapted the neighbourhood’s buildings to their needs. It’s still largely a working-class area, and well-heeled Palermo-dwellers may warn you off coming here, but the area’s superb architecture also attracts bohemians, students, backpackers and artists. Together with rising rents, the recent appearance of designer clothing and homewares stores among the traditional antiques shops is an indication that San Telmo may once again be going up in the world – and this new gentrification is not a development that everyone welcomes.
The barrio is one of Buenos Aires’ major tourist attractions, particularly due to its Sunday antiques market, the Feria de San Telmo, which takes place in the neighbourhood’s central square, Plaza Dorrego; there is also a smaller version on Saturdays. It’s also the barrio most associated with tango, and the place where many of the best-known tango shows and bars have their home. At the southern end of the barrio, the small, palm-lined Parque Lezama, containing the city’s well-organized Museo Histórico Nacional, makes a restful spot to end a tour of the neighbourhood.
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Boca
Boca
More than any other barrio in Buenos Aires, Boca (or “La Boca”) and its inhabitants seem to flaunt their idiosyncrasies. Located in the capital’s southeastern corner, this working-class riverside neighbourhood has been nicknamed the “República de la Boca” since 1882, when a group of local youths declared that the barrio was seceding from the country. Even today, its residents – many new immigrants from other South American countries – have a reputation for playing by their own rules and are most famous for their brightly coloured wooden and corrugated-iron houses. The district was originally the favoured destination for Italian immigrants, and the colours of the houses derive from the Genoese custom of painting homes with the paint left over from boats. Boca’s other most characteristic emblem is its football team, Boca Juniors, the country’s most popular club and probably the most famous one abroad.
Named after the boca, or mouth, of the Río Riachuelo, which snakes along its southern border, Boca is an irregularly shaped barrio, longer than it is wide. Its main thoroughfare is Avenida Almirante Brown, which cuts through the neighbourhood from Parque Lezama to the towering iron Puente Transbordador that straddles the Riachuelo. Apart from some excellent pizzerias, there’s little to detain you along the avenue: the majority of Boca’s attractions are packed into the grids of streets on either side. Even then, there’s not a great deal to see as such, and unless you plan to visit all the museums an hour or two will suffice; morning is the ideal time to go, when the light best captures the district’s bright hues and before the tour buses arrive.
Be warned that Boca remains a poor neighbourhood and has an unfortunate reputation for crime, with muggings a fairly common occurrence. There’s no need to be paranoid, but it is advisable to stick to the main tourist district and follow the advice of the police who patrol the area. The barrio is easily reached on foot from Parque Lezama or by bus #86 from Plaza de Mayo or #53 from Constitución; it’s also on the route of the city government’s tour bus.
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La Bombonera
La Bombonera
The true heart of Boca is Boca Juniors’ stadium, La Bombonera, at Brandsen 805. Built in 1940, it was remodelled in the 1990s and the name – literally “the chocolate box” – refers to its compact structure; although Boca has more fans than any other Argentine team, the stadium’s capacity is less than several of its rivals. This is the place where many of the country’s best young players cut their teeth before heading to Europe on lucrative deals – the Bombonera’s most famous veteran is Diego Maradona, who retains a VIP seat at the stadium. Seeing a game here is an incredible experience, even for non-soccer fans, and it’s worth arranging your itinerary around one.
If you don’t get the opportunity to watch a match, at least head for the Museo de la Pasión Boquense and its stadium tour. The museum is a modern audiovisual experience, with a 360-degree film that puts you in the boots of a Boca player, and a charming model of how the barrio would have looked and sounded in the 1930s. The tour not only includes the stands, pitch and press conference room, but even the players’ jacuzzi and dressing room, complete with statues of the Virgin Mary. Just inside the stadium entrance, there’s a large painting by famous local artist Benito Quinquela Martín entitled Orígen de la bandera de Boca (“the origin of Boca’s flag”), which illustrates one of the club’s most famous anecdotes. Though the exact date and circumstances of the event are disputed, all agree that Boca chose the colours of its strip from the flag of the next ship to pass through its then busy port. The boat was Swedish, and thus the distinctive blue and yellow strip was born.
Around the stadium, a huddle of stalls and shops sell Boca souvenirs while, on the pavement outside the stadium, stars with the names of Boca players past and present, some featuring their footprints, were laid as part of the club’s centenary celebrations in 2005. Some of the neighbouring houses have taken up the blue and yellow theme, too, with facades painted like giant football shirts. From the stadium it’s a short walk southwards to La Boca’s other nerve centre: Caminito.
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Filete art
Filete art
As you wander around Monserrat, San Telmo and Boca, look out for examples of filete art, particularly on shop signs. Characterized by ornate lettering, heavy shading and the use of scrolls and flowers entwined with the azure and white of the national flag, this distinctive art form first made its appearance on the city transport system in the early twentieth century. Often associated with tango, its actual origins are a little murky, but it seems to have been introduced by Italian immigrants. Banned from public transport in 1975 – the authorities felt bus destinations and numbers should be unadorned – it moved onto signs above stores and cafés as well as more traditional canvases. Today it is synonymous with Porteño identity, particularly in the south. As well as tango stars, a popular subject is the pithy saying, including the classic si bebe para olvidar paga antes de tomar (“if you drink to forget, pay first”) and the more obscure si querés la leche fresca, atá la vaca a la sombre (“if you want fresh milk, tie the cow up in the shade”).







