“There is a very tangible Lund spirit – those with it have … an ironic distance to everything, including themselves and Lund, a barb to deflate pompous self-importance”, wrote the Swedish essayist Jan Mårtensson. His compatriot, poet Peter Ortman, for his part once described what he termed “Lund syndrome”: “a mix of paranoia, exhibitionism and megalomania”. Whatever it is about the place, there is indeed a special spirit to LUND – a sense of tolerance (it’s more relaxed than other Swedish cities), and a belief that people should be judged by what they do, not by what they have.
A few kilometres inland and 54km south of Helsingborg, Lund’s reputation as a glorious old university city is well founded. An ocean of bikes is the first image to greet you at the train station, and like Oxford in England – with which Lund is usually aptly compared – there is a bohemian, laidback eccentricity in the air. With a twelfth-century Romanesque cathedral, medieval streets lined with a variety of architectural styles, and a wealth of cafés and restaurants, Lund is an enchanting little city that could well captivate you for a couple of days; it has a wide range of museums, a couple of them excellent, a mix of architectural grandeur, plus the buzz of student life. While Lund does lose much of its atmosphere during the summer months, some places remain open through June to August.Read More
The magnificent Domkyrkan is built of storm-cloud charcoal and white stone, giving it an imposing monochrome appearance. Before going inside, have a look round the back of the building; on the way there, you’ll notice the grotesque animal and bird gargoyles over the side entrances, their features blunted by eight centuries of weathering. At the very back, the most beautiful part of the exterior, the three-storey apse above the crypt, is revealed, crowned with an exquisite gallery.
The majestic interior is surprisingly unadorned, an elegant mass of watery-grey ribbed stone arches and stone-flagged flooring. One of the world’s finest masterpieces of Romanesque architecture, the cathedral was built in the twelfth century when Lund became the first independent archbishopric in Scandinavia, laying the foundation for a period of wealth and eminence that lasted until the advent of Protestantism. There are several striking features, such as the elaborately carved fourteenth-century choir stalls depicting Old Testament scenes, and the grotesque carvings hidden beneath the seats. The most vividly coloured feature is just to the left of the entrance, an amazing astronomical clock dating from the 1440s, which shows hours, days, weeks and the courses of the sun and moon in the zodiac. Each day at noon and 3pm, the clock also reveals its ecclesiastical Punch-and-Judy show, as two knights pop out and clash swords as many times as the clock strikes, followed by little mechanical doors opening to trumpet-blowing heralds and the Three Wise Men trundling slowly to the Virgin Mary.
The dimly lit and dramatic crypt beneath the apse has been left almost untouched since the twelfth century, and should not be missed. Here, the thick smattering of what look like tombstones is really comprised of memorial slabs, brought down to the crypt from just above; but there is one actual tomb – that of Birger Gunnarsson, Lund’s last archbishop. A short man from a poor family, Gunnarsson chose the principal altar-facing position for his tomb, dictating that his stone effigy above it should be tall and regal. Two pillars here are gripped by stone figures – one of a man, another of a woman and child. Local legend has it that Finn the Giant built the cathedral for St Lawrence; in return, unless the saint could guess his name, Finn wanted the sun, the moon or the saint’s eyes. Lawrence was just preparing to end his days in blindness when he heard Finn’s wife boasting to her baby, “Soon Father Finn will bring some eyes for you to play with.” The relieved saint rushed to Finn declaring the name. The livid giant, his wife and child rushed to the crypt to pull down the columns, and were instantly turned to stone. Even without the fable, the column-hugging figures are fascinating to view.
Lunds Universitets Historiska Museum
Lunds Universitets Historiska Museum
Just behind the cathedral, the Lunds Universitets Historiska Museum is for the most part rather dull unless you have a specialist interest in ecclesiastical history. The statues from Skåne’s churches, in the medieval exhibition, deserve a look though, mainly because of the way they are arranged. The crowd of Jesuses hanging on crosses have an ominous quality worthy of Hitchcock, while in the next room all the Madonnas are paired off with the baby Jesuses.