What to do in Faro
From glorious sweeps of golden sand to wandering around the historic Cidade Velha, these are the best things to do in Faro.
#1 Explore the Cidade Velha
The Cidade Velha, or Vila-Adentro, is Faro’s most atmospheric quarter and the only part of the city to survive its long history of raids, sieges, and earthquakes. Enclosed by thick medieval walls, it feels quieter than the rest of the city, especially in the late afternoon when tour groups vanish and the streets fall into shadow. Here, whitewashed houses wear balconies of curling ironwork and tiles patterned in deep blues and greens. A few façades still bear marks from past cannon fire.
Enter through the Arco da Vila, an eighteenth-century gateway built over a medieval arch, and follow Rua do Município to the orange-tree-lined Largo da Sé. This square, framed by the cathedral and former bishops’ palace, is the best spot to pause with a coffee and simply watch the rhythm of Faro slow to a whisper.
#2 Marvel at Sé
Faro’s Sé has been rebuilt so many times that it is almost a palimpsest of the Algarve’s history. First raised in 1251 on the site of a mosque, it became the region’s main cathedral in 1577. Less than two decades later, English forces under the Earl of Essex looted it, taking treasures back to London. The earthquake of 1755 then shattered much of the structure, and the reconstruction that followed gave it today’s blend of Gothic, Renaissance, and Baroque styles.
Step inside for the cool hush of its tiled chapels, where eighteenth-century azulejos depict saints and floral motifs, and gilt woodwork glows in the half-light. The climb up the bell tower is steep, but the reward is a sweeping view that stretches from the terracotta rooftops of the old town to the shifting channels and sandbanks of the Ria Formosa: a reminder that this cathedral has always watched over a city shaped by both land and sea.
#3 Geek up at the Museu Municipal
Faro’s Museu Municipal is one of the oldest museums in Portugal, founded in 1894 as an archaeological collection and still a treasure trove for history buffs. It occupies the quiet cloisters of the sixteenth-century Convento de Nossa Senhora da Assunção, a Renaissance building whose white arcades frame a serene courtyard. Its star exhibit is a remarkably well-preserved Roman mosaic, almost nine meters across, depicting Neptune surrounded by the Four Seasons. Dating from the third century, it was unearthed near the train station and is displayed in near-perfect condition.
The galleries also hold marble statues from the Roman villa at Milreu, delicate Moorish ceramics, and religious art from the Baroque and Renaissance periods. A small but fascinating section is dedicated to the Futurist paintings of Carlos Porfírio, a Faro-born artist who helped shape modern Portuguese art in the twentieth century. Out front, a statue of King Afonso III, the conqueror who claimed the Algarve in 1249, stands watch with a cross held high.
#4 Learn about the area at the Museu Regional
The Museu Regional may be small, but it offers a window into the Algarve before the arrival of package holidays and beach resorts. This unpretentious collection focuses on everyday life, with displays of traditional farming tools, hand-carved fishing gear, and musical instruments once played at village festivals. Room sets recreate the interiors of rural homes, complete with heavy wooden furniture, embroidered linens, and the faint suggestion of woodsmoke.
One corner holds model fishing boats built to scale, each painted in the bright colors typical of Algarve ports. The real gems are the black-and-white photographs, which capture Faro’s streets, islands, and beaches in the decades before tourism transformed them. On a rainy day, it is the kind of place where you can slow down, wander at your own pace, and picture the Algarve as locals once knew it.
#5 See the Chapel of Bones at Igreja do Carmo
The Baroque Igreja do Carmo, with its twin bell towers and gilded interior, is one of Faro’s most striking churches, even if it stands in an otherwise unremarkable part of town. Built in the early eighteenth century by the Carmelite order, it is a showcase of ornate woodcarving and gold leaf, much of it financed through wealth brought back from Brazil.
Tucked away in the overgrown garden behind the church is the Capela dos Ossos, the Chapel of Bones. Here, the walls are lined from floor to ceiling with the bones and skulls of more than a thousand Carmelite monks, exhumed from the adjoining cemetery. They are set into the plaster in careful geometric patterns, a stark reminder of mortality and the fleeting nature of worldly beauty. It is quiet inside, almost unnervingly so, and stepping back out into the sunlight can feel like waking from a vivid dream.