Overview of the Saxony-Anhalt region
State capital, Magdeburg is relatively small and parochial, but does have a few interesting sights, particularly its cathedral, as well as some urban distractions and reasonable nightlife. North along the Elbe, the Altmark region is a real backwater, a thinly populated heathland, where a clutch of low-key towns – particularly half-timbered Tangermünde – preserve a very traditional feel.
East of Magdeburg along the Elbe is almost as rural, apart from two towns with heavyweight contributions to world history: Dessau, whose Bauhaus school invented Modernist architecture and design, and Lutherstadt Wittenberg, birthplace of the sixteenth-century Protestant Reformation which divided the Christian Church. In between the two, the English country gardens of Wörlitz provide an attractive respite.
Southern Saxony-Anhalt is focused on the postindustrial but upbeat university town of Halle, with its own small crop of attractions, and great dining and nightlife. It sits on the Saale river upstream from which lies Naumburg, famous for its grand cathedral and Germany’s most northerly wine region in nearby Freyburg. Meanwhile, just west of Halle, in the foothills of the Harz mountains, lies Lutherstadt Eisleben, the town where Martin Luther was born, died, and is now relentlessly celebrated.
But the key eastern gateway to the Harz mountains is the half-timbered town of Quedlinburg which is pretty enough to deserve a place on anyone’s Germany itinerary. From here it’s a short hop to northern Germany’s premier mountain playground, where the main attractions are outdoorsy: hiking and cycling in summer, tobogganing and skiing, particularly cross-country, in winter. The region also features some of the best hiking trails in Saxony, making it a year-round destination for active travellers. The Harz villages and towns are well equipped for all this, and noteworthy for some excellent spas to help you unwind at the end of the day. Some of the best of these lie on the northern fringes of the Harz in Bad Harzburg, while the nearby town of Goslar is another quintessential half-timbered gem, almost rivalling Quedlinburg in attractiveness.
Road and rail links are good throughout Saxony-Anhalt, with the entire eastern half a reasonable day-trip from Berlin. The Harz needs and rewards more relaxed exploration, ideally on foot, by bike, or on its network of charming old narrow-gauge railways.
Brief history of Saxony-Anhalt
Extractive industries and large navigable rivers – particularly the Elbe and Saale – were of foremost importance in settling this region. Forestry, salt, copper, coal and lignite all played their part in shaping it over the centuries. As a rich industrious area, it has regularly been a battleground, with the Thirty Years’ War badly battering the region and World War II levelling its largest cities. The state of Saxony-Anhalt was first formed after World War II when the occupying Russians cobbled together the former Duchy of Anhalt with the old Prussian province of Saxony. The union only lasted a few years before re-division, but was resurrected in the wake of German reunification in 1990, with Magdeburg the state capital. In the decade that followed, heavy industrial production – which the GDR had feverishly built – dropped by more than three-quarters and employment by more than nine-tenths, with high levels of unemployment particularly blighting the south of the state, where mining and chemical works had prevailed. The situation has since stabilized, but the state remains one of Germany’s poorest.
Dessau
Dessau, 60km southwest of Magdeburg, was once an attractive town at the centre of a patchwork of palaces, parks and gardens. The latter have survived, but war damage, Stalinist rebuilding programmes and years of GDR neglect have made the place rather workaday. But what does justify the journey here are remnants of the Bauhaus movement. Built here in 1925, the Bauhaus design school once made it the hub of Modernism and the first place where many modern designs were implemented – these include the Meisterhäuser, the villas of the most influential thinkers, and the Törten, the first modern housing-estate. All this makes it a place of pilgrimage for architecture students, but it is interesting enough to appeal to anyone inquisitive about the roots of modern design.
The belt of landscaped parks in and around Dessau have been collectively dubbed the Gartenreich (Garden Realm) and offer days of unhurried exploration and picnicking. Their attendant Baroque and Neoclassical mansions are an additional draw. The most extensive and impressive of all the complexes is Wörlitz, but the most convenient is Park Georgium, a short walk from the Meisterhäuser in central Dessau.
Bauhaus
Bauhaus, whose literal meaning in German is “building-house”, has become a generic term for the aesthetically functional designs that emerged from the art and design school at Dessau. The Bauhaus movement began with the Novembergruppe, founded in 1918 by Expressionist painter Max Pechstein to utilize art for revolutionary purposes. Members included Bertolt Brecht, Kurt Weill, Emil Nolde, Eric Mendelssohn and architect Walter Gropius. In 1919 Gropius was invited by Germany‘s new republican government to oversee the amalgamation of the School of Arts and Crafts and the Academy of Fine Arts in Weimar into the Staatliche Bauhaus Weimar. The new institution was to break down barriers between art and craft, creating a new form of applied art. It attracted over two hundred students who studied typography, furniture design, ceramics, wood-, glass- and metalworking under exponents like Paul Klee, Wassily Kandinsky and László Moholy-Nagy.
Financial problems and opposition from the conservative administration in Weimar eventually forced a relocation to Dessau, chosen because, as home to a number of modern industrial concerns, notably an aeroplane factory and a chemical works, it could provide financial and material support. Dessau’s Bauhausgebäude, designed by Gropius and inaugurated on December 4, 1926, is one of the movement’s classic buildings. Towards the end of the 1920s, the staff and students of the Bauhaus school became increasingly embroiled in the political battles of the time. As a result, Gropius was pressurized into resigning by the authorities and replaced by Swiss architect Hannes Meyer. He, in turn, was dismissed in 1930 because of the increasingly left-wing orientation of the school. His successor Ludwig Mies van der Rohe tried to establish an apolitical atmosphere, but throughout the early 1930s Dessau’s Nazi town councillors called for an end to Bauhaus subsidies. Their efforts finally succeeded in 1932, forcing the school to close and relocate to a disused telephone factory in more liberal Berlin. However, after the Nazis came to power, police harassment reached such a pitch that in 1933, Mies van der Rohe decided to shut up shop for good. He and many of the staff and students subsequently went into exile in the USA, where they helped found a successor movement known as the International Style.
Stiftung Bauhaus Dessau
The one-time hub of the worldwide Bauhaus movement was Dessau’s Bauhausgebäude, which now houses the Stiftung Bauhaus Dessau (Bauhaus Foundation). The work of Walter Gropius, this white concrete building with its huge plate-glass windows was refurbished on its eightieth anniversary in 2006, making it look tremendously new. The famous Bauhaus logo graces the southern side; the photogenic “swimming pool” balconies its eastern wall.
At the time of its construction the building was an architectural sensation and prototype for several construction techniques. A reinforced concrete skeleton allowed for curtain walling – outer walls designed to carry nothing but their own weight – and introduced wide-span building techniques that opened up more useable floor space by removing the need for supporting columns. These principles really flourished from the 1950s and 1960s and have dominated since – making them less of a spectacle for today’s viewer.
Though still in use as a design school, the public can wander round much of the building, with the audio tour a useful accompaniment, particularly if you can’t make the hour-long tours in German which access otherwise locked areas. Both can be organized at the first-floor front desk, which sells tickets to Dessau’s other Bauhaus attractions and is the entrance to the Ausstellung im Bauhaus (Exhibition in the Bauhaus), which explores the experimental application of Bauhaus theory in just about every sphere of art and design, including ceramics, furniture, theatre and visual art. Finally, the well-stocked basement book and gift shop is also worth a look.
Goslar
With an imperial past, a palatial prize of European Romanesque architecture and an Altstadt of medieval timber-framed beauties, Goslar is one of Germany’s treasures. A small town of just 48,000 people in the Harz foothills, perhaps, but a rich one figuratively and at one time literally. The area around the Markt is the town’s showpiece and from it a main street, Hoher Weg, drives south to the Kaiserpfalz. Also south of town is the Rammelsberg mine, which produced ores until relatively recently and now offers tours. But the set pieces are only part of Goslar’s attraction: simply rambling around its huddled Altstadt streets and seeking out its many small but diverting museums is a pleasure in itself.
Brief history
In the tenth century the discovery of silver transformed this hamlet into one of northern Europe’s leading medieval towns, whose deep coffers were loved by emperors and coveted by popes. By the mid-eleventh century, less than a hundred years after the first miners shouldered their picks, an imperial Diet (conference) of the Holy Roman Empire was held in the Kaiserpfalz, Goslar’s new Romanesque palace. For over three hundred years the “treasury of German Emperors” ruled Germany’s loose confederation of states as the seat of the Holy Roman Emperor and the city spent its wealth on the finery it deserved as a free imperial city (from 1342). Even a collective belt-tightening after the duke of Braunschweig-Wolfenbüttel snatched the mine in 1532 had its virtues: as funds dried up, so too did new building schemes, preserving the Altstadt. As a POW camp Goslar was also spared World War II bombing.