For eight hundred years, until 1935, the twelfth-century Cistercian Abbaye de Cadouin drew flocks of pilgrims to wonder at a piece of cloth first mentioned by Simon de Montfort in 1214 and thought to be part of Christ’s shroud. In 1935 the two bands of embroidery at either end were shown to contain an Arabic text from around the eleventh century. Since then the main attraction has been the finely sculpted but badly damaged capitals of the Flamboyant Gothic cloister. Beside it stands a Romanesque church with a stark, bold front and wooden belfry roofed with chestnut shingles (chestnut trees abound around here – their timber was used in furniture-making and their nuts ground for flour during frequent famines). Inside the church, the nave is slightly out of alignment; this is thought to be deliberate and perhaps a vestige of pagan attachments, as the three windows are aligned so that at the winter and summer solstices the sun shines through all three in a single shaft.
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